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It took a long time for dance music to recover from 1979âs notorious disco demolition event . It wasnât until the late 80s, and the UKâs legendary Second Summer Of Love, that dance music was recontextualised for a younger audience. A trickle of curious Chicago house hits, such as Farley âJackmasterâ Funkâs âLove Canât Turn Aroundâ and Steve âSilkâ Hurleyâs âJack Your Bodyâ (both from the recently reissued DJ International catalogue ), had been joined by British interpretations of the sound (such as M/A/R/R/Sâs âPump Up The Volumeâ and Bomb The Bassâ âBeat Disâ), as well as Detroit techno anthems the likes of Inner Cityâs âGood Lifeâ. By 1989, the trickle had become a flood: the UK charts, and music television staples such as Top Of The Pops , became awash with frothy dance tunes; credible acts such as Pet Shop Boys and The Style Council also underlined the songcraft involved in tracks such as Sterling Voidâs âItâs Alrightâ and Joe Smoothâs âPromised Landâ with their respective cover versions. The scene was set for 90s dance music to enter the mainstream.
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Similarly, âhorse-tradingâ hit a peak in March, after an election in India where one party accused another of this practice when a vote failed to deliver any party a majority.
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